Church | The Photographer Academy

Church

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Get exclusive behind the scenes look of a full real client wedding shoot, photographed by Internationally recognised, award-winning photographer Scott Johnson.

With the ceremony about to begin, Scott captures the key Bride and bridesmaids images in a beautifully decorated room take Scott was able to gain access to because of the key commutation with staff earlier. With some gorgeous images in bag. Scott moves in the main ceremony room and gets into the key position, he setup earlier in the day before the guests arrived. Scott works with a 2nd shooter and explains how to get the most out of your 2nd shooter and work with them. To double your variety and not just the shot count. 

Equipment: Fujifilm X-Pro2 x2, Fujifilm EF-42, Fujifilm 90mm f2, Fujifilm 16mm f1.4, Fujifilm 23mm f1.4, Fujifilm 35mm f2, Fujifilm 56mm f1.2, Touit 12mm f2.8, Hold Fast money makers,

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We join Mark on the Academy’s first destination wedding with Tamsin and Greg, who decided to get married on the sunny Spanish island of Majorca.
 
We now re-join Mark back at the church as the Bride arrives. Mark slows down the group to give the final guests time to get into the church but not one to waste an opportunity he sneaks in a few more groups with the Bridal party. Once the ceremony commences he adds a little on camera flash to help lift the images inside the small chapel. Then once the important bit is done its back out to the front of the church for some fun group shots utilising the props provided by the couple instead of traditional confetti.
 

Equipment: 2x Canon 5DMKII, Canon 24-105mm, Canon 70-200mm, Canon 50mm, Sekonic L358 Lightmeter, Canon 580EXII Speedlite, Quantum SC Battery, Honl Speed Gobo/Reflector, Lastolite Trigrip Silver/White

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Learn how to photograph a real wedding. At the church Mark captures some great images of the Bridal carriage, the Brides entrance and the traditional catholic ceremony.

Get exclusive behind the scenes access with Mark for this eventful wedding between Jack and Esther. While we wait for the bride to arrive at the church, Mark maximise his time capturing the groom’s family portraits before the ceremony. He then goes on to take some last minutes portraits of the groom outside of the church before the bride arrives.
Again Mark finds himself waiting for the bridesmaids and pageboy to arrive and takes the opportunity to give you overview of his equipment and how he will use his flash in the different situations throughout the day. He then utilise the rest of the wait to get extra shots of the Bride and her father with the stunning horse drawn carriage.
When the bridesmaids finally arrive, Mark only has seconds to capture the chaos as everyone rushes up to the church, so his experience really comes into play and the reportage style of the images really captures the hectic atmosphere.
Then Mark heads inside to capture the bride maids, pageboy and bride entering the church, using the beautiful the stain glass windows to fill the background. With small, traditional churches the ceremony can be tricky but again Marks experience allows him to choose the right spots throughout the ceremony, before finishing off with the signing of the register.

Equipment: 2x Canon 5DmkII , Canon 24-105mm, Canon 70-200mm, Canon 580EXII Speedlite, Quantum Turbo 3 Battery, Sekonic L-358 light meter.

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Todays wedding is Scott and David's. The first civil partnership we have been asked to shoot.

In this Part of confetti and lace 12 Mark shoots the Ceremony and signing of the register.

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or Colour boosted

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Wedding Apprentice's Tracy and Jane get going on their journey to becoming a better wedding photographer. Over the Past 12 months Mark Cleghorn has put the two apprentices through the paces of a wedding from start to finish and now the time has come to put what they have learnt into practice.

This is the two apprentices last day and mark arrange with one of his bride and grooms to allow his two wedding apprentices Tracy Sinclair and Jane Ryman to shoot their wedding.
In this part of the day the two apprentice's are now shooting, they are at the brides house shooting the details and the getting ready shots and then moving on to the groups and church. Tracy and Jane talk to mark about their concerns while shooting and any problems they think they may have.

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In this fast paced wedding you really do get to see Mark working at pace to shoot both relaxed informal images and the posed variety. Due to the Bride and Grooms request there are elements of the wedding that have not been allowed to be filmed.

This film covers the arrivals at the church, the post ceremony groups and the candids as the Bride and Groom leave for the reception. You can not get any more Real and RAW than this wedding film as you get to see the images straight out of camera as well as all the chatter that Mark does to capture the right expression.

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Sign up today!

  • Access to the TPA Film Library
  • 3 New Films added each week
  • 2 Photo Critiques per month
  • Live Webinars
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  • Academy Qualifications
  • Academy Year eBook
  • Discounts from Sponsors
  • Affiliate Referal Programme
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  • Apprentice Series
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  • 7 day Money Back Guarantee
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Special Offer!
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Academy Pro annual membership

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£70.00

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Presenter: 

Real and RAW is the only way to explain this type of wedding training by Mark Cleghorn, as you get to see how a working photographer copes under the pressures of a real wedding day, nothing fake here, as even the images have only been touched by camera RAW in conversion, so no Photoshop, just conversion from RAW to jpeg with some of the images selected to Black & White or colour boosted

In this weddings film series you get to see how Mark copes with a winter wedding and all its constraints with mixed lighting, low light and cold weather.

This film covers the Church with the portraits of the Groom, Groomsmen, Bridal Party arrivals, the ceremony stills and the formal groups.

Images shot - Groom, Groomsmen, Family, Groups, Bridal Party, Arrivals, Ceremony, Confetti, Registers Fun, Formal and Informal

Covers both natural light and flash.

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